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November 2004
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For film-lovers, Walter Salles’ Central do Brasil not only encapsulates the sum total of their collectively shared movie experiences but, in the sometimes coarse language of Cinema Novo, continues to present modern audiences with the pathetic “true face of Brazil.”
Anyone entering a car, truck, or bus and driving on the Brazilian highways knows that, save on rare occasions, he is going to find holes, detours, shoulders covered in overgrowth, and bad signing, among other problems. 
Later, as always, palatian aulics gather around the Nation’s President to comment on the injustice of the booing, the eggs, and the tomatoes. They attribute the manifestations against the government to the same old cunning foes: liberals, toucans (members of the PSDB, Brazilian Social Democracy Party), left-wing radicals, restoration supporters, and even Trotskyites. 
At a recent meeting in Alexandria, an Egyptian professor asked a question: In the 1970s he was enlightened by writings from Brazil, like that of Celso Furtado. Why is it that now, at the beginning of the 21st century, he does not receive any new ideas from here?
The Constitution of Brazil declares that the government of this country cannot punish individuals without due process of law. It also states that no punishment might be cruel or leading to the offender’s death, and that nobody can be subject to any form of torture, or inhuman, or degrading treatment.(1)