Brazzil It's one of those Fridays. I, a sleep-deprived allergy suffering wreckyour typical Americanstagger into the
house, and after stubbing my toe, dump the mail on floor. I look down to find that Georgia Barretto has sent me her CD,
Sensibilidade.
After putting the CD in the player, I drop to the floor like a buffalo that's just been shot.
Then HARK, it's Georgia's passionate voice, riding on a sultry
bossa beat. It's depressing. It's uplifting. All
together beautiful; it's the type of poetry that can make you drunk with melancholy.
The remarkable quality about her music is the balance of pain and strength. There's her voicedelicate, almost
crying, and so light it's almost shaky, and then balancing it is the strength in her guitar.
"You sing with so much pain," I tell her.
"[Music was] the only way I could free myself from that abuse because when you finally realize you can build
something, then you can recreate your life and you can recreate yourself,"
Two of the songs on her CD, "Sensibilidade" and "Vegas" were written just after the Northridge earthquakes, in the
Los Angeles area, in January 1994, shook her life apart. She had just had two miscarriages, her best friend committed suicide,
and the shaking brought back memories of childhood abuse. Finally she just drove off with her guitar and a few blankets.
Just like that; to Las Vegas.
"I always felt like I was a very sensible person," she says, starting to get maudlin. "What's more important? What
do people worry most in life? Are they going to be safe? Are they going to be alive? For me, that was a daily worry.
Growing up in Brazil, it was are you going to be able to buy things? Because the next day prices had tripled. Are you going to be
able to speak out?"
"In Brazil the only way to be able to express yourself is through art," which is how she coped with a "country that
plays games with us daily. Lies, lies, lies, daily lies."
As we both start to get a little misty, she explains that even life in the U.S. was hard. After moving from Los Angeles
to Utah, she describes life as a foreign, single-mother of three as "ten times harder" in regards to racial and gender
discrimination. That's what Sensibilidade is about: survival.
Though many critics have labeled her as a bossa nova
singer or another Sade, there's an audible distinction. Her
unique guitar sounds combine subtle bossa nova
rhythms with strong influences from classical Spanish guitar. It pulls
influences from jazz, pop, classical, bossa
nova, and Carnaval music.
Her voice combines the best of some of the famous Brazilian female singers: the softness and vulnerability of Astrud
Gilberto, the passion of Elis Regina, and the power of Marisa Monte.
Her saudade is the inverse of bossa nova
saudade. Bossa nova creates the wistful feelings of
saudade by first creating joy and beauty, and then the sadness knowing that it will pass. Georgia first creates the pain and sadness and
then comes the beauty and awe.
When I listen to Georgia I picture a little girl strumming her guitar and feeling homesick, but not quite sure where
home really is. It makes me feel like it's Sunday. And if you think you're tough, listen to her CD first, and then try to tell me it's
not a tearjerker. Make sure you have a box of tissues on hand.
Georgia's music is like a glass of cool lemonade on a hot summer's day: sour when you sip it, but sweet at the bottom.
Georgia Barretto's CD Sensibilidade is available at her website,
www.georgiabarretto.com
Melinda Wong is a jazz junky and college bum. Email her at
pumpkin362@yahoo.com
Georgia Barretto can be reached by visiting her website,
www.georgiabarretto.com Selected lyrics, all by Georgia Barretto Sensibilidade
Quero entender Mas se um dia Sensibilidade Voarei além Salvarei a mão Pousarei Sensibilidade I want to believe, But if, some day Sensibilidade, I will fly beyond, I will save my hands, I'll turn into Sensibilidade Sufoca o Meu Amor
Siga o seu caminho já Pois vai ficar Você não deixa crer Chega de sofrer Quero apagar Quero enchergar, Mas você não vê Sufoca o meu amor Siga o seu caminho já
Vegas
I ran away from all this quake So long L.A., I was so tired to believe I will get there, I will get there It's when I had to stop the car I see the lights, I see the lights I want to tell you how I felt The fear was gone, the fear was gone
Nation
April 2003
Georgia on My Mind
Georgia's voice combines the softness and vulnerability of
Astrud Gilberto, the passion of Elis
Regina, and the power of
Marisa Monte. If you think you're tough, listen to her
CD first, and then try to tell
me it's not a tearjerker.
Make sure you have a box of tissues on hand.
Melinda Wong
O que a vida traz
Quero ter poder
De mudar os As
A casa cai
Como é que a gente faz?
Sensibilidade
Desse horrível aquém
Buscarei o chão
Na frágil flor
Na inocente flor
Sensibilidade
Sensibilidade
That things will be alright
I want to believe
That I will stay alive
The house falls down,
Say what am I to do?
Sensibilidade,
This uncertain bond,
And search for steady lands,
A butterfly,
To lay on a fragile flower
Sensibilidade
Mas não me deixe ver
A dor no olhar, no olhar
Você não vai mudar
Chega de morrer
Chega de chorar
Todo amargar
Quero opinar
Que eu não posso ser
O que sou com você
Sufoca o meu amor
Sufoca o meu amor
I couldn't stay for my own sake
So long L.A.,
I love you but I'm on my way
That I could rest
That I could sleep
I keep on telling to myself
To hold this vision
In my heart
By driving to Vegas at night.
So free to choose, so free to tell
When I saw the lights in Vegas at night.