• Categories
  • Archives

Brazil Teaches that Museums Can Be Quite Ephemeral

Rio's National Museum after the fire that burned it all - Tânia Rêgo/ABr

On September 2, the National Museum of Brazil lit up Rio de Janeiro’s night sky. Perhaps started by an errant paper hot air balloon landing on the roof or a short circuit in a laboratory, the fire gutted the historic 200-year-old building.

Likely gone are a collection of resplendent indigenous ceremonial robes, the first dinosaur found in South America, Portuguese royal furniture, ancient Egyptian mummies, a vast library and so much more. In six hours, an estimated 18 million artifacts were turned to smoke and ash.

The images of the hollowed-out museum are a living nightmare for a curator like me. I know that most museum collections are truly irreplaceable. But, for me, the fire is also a vital reminder that the greatest dangers to humanity’s collective heritage are not natural disasters but human ones.

There’s an important lesson for all of us in the fire’s embers.

The Perils Museums Face

A museum presents itself as permanent and timeless. It’s why so many sport Greek columns, sterile white walls and clean objects under clear glass. The message is that the museum and its treasures should exist beyond the fleeting moment of our visit – connecting past, present and future.

Whether displaying dinosaurs or dodos, art or archaeology, the museum is our bank vault for the world’s natural wonders and human achievements. The museum aspires to be a fortress against time.

The reality is that time is inexorable and relentless. Museums are locked in a constant struggle against decay and an almost absurdly wide-ranging array of natural and human threats. There’s even a formal list of the evil-sounding “agents of deterioration” that museums use to evaluate risks to their collections, ranging from bugs to temperature to water to fire.

These risks are constantly evolving. War might turn a museum overnight into a looter’s paradise, as in the case of the National Museum of Iraq. Market forces or colonial revenge may spur thieves to steal artifacts, as recently seen with a pandemic of thefts of Chinese art.

Some are even adding climate change to the menaces facing collections, such as the Bass Museum along Miami Beach, as it prepares for rising sea levels.

For museum curators, a terrifying range of hazards could devastate the treasures we are appointed to safeguard. Tragically, fire has long been at the top of the list. As early as 1865, the Smithsonian in Washington, D.C. – “America’s attic,” as it is famously known – caught aflame, resulting in what was then called a “national calamity.”

In more recent years, infernos destroyed Madagascar’s royal palace museum, Delhi’s natural history museum and a history museum in Washington state, which housed rare artifacts from the late musician Kurt Cobain.

Despite the known risk of fire, reports suggest that Brazil’s National Museum was woefully unprepared. It apparently lacked a fire suppression system. Nearby fire hydrants went dry.

The spark that started the fire was perhaps an unforeseen event, but the conflagration that followed was not.

Collections Don’t Care for Themselves

Most hazards that endanger museums can be mitigated. Conservation programs can hunt artifact-eating bugs, storage rooms can control temperature and humidity, security systems can prevent burglary and more. But implementing such protections requires serious resources.

By all accounts, this is where Brazil’s caretakers failed. As a national museum, Brazil’s elected officials were responsible for directing the appropriate funds to the museum. Instead, they underfunded the museum and allowed it to fall into disrepair. With the proper buildings and equipment, Brazil’s museum fire would likely not have been so disastrous.

Such indifference is not limited to Brazil. For example, a 2016 report found that Canada’s six national museums are underfunded by about US$ 60 million each year.

In the United States, President Trump’s 2019 fiscal year budget sought to entirely eliminate three vital federal agencies – the National Endowment for the Humanities, National Endowment for the Arts and Institute of Museum and Library Services – that preserve much of the country’s cultural heritage in museums. Even before Trump, all of these programs have had relatively stagnant funding for years.

From Brazil, those holding the purse strings on citizens’ behalf must learn that museums are not forever. Collections are never permanently safe. They require focused investments and proactive stewardship to ensure their survival long into the future. Otherwise, it’s only a matter of time before the next fire.

Chip Colwell is a Lecturer on Anthropology at University of Colorado, Denver

This article was originally published in The Conversation. Read the original article here: https://theconversation.com/lesson-from-brazil-museums-are-not-forever-102692

Tags:

  • Show Comments (0)

Your email address will not be published. Required fields are marked *

comment *

  • name *

  • email *

  • website *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Ads

You May Also Like

Elections: A Far-Right Former Captain Surges as Brazil’s Donald Trump

Since the election victory of Donald Trump, many have tirelessly talked about populism. It ...

Brazilians protesting in the streets

Lula’s Conviction Is a Testament to How Far Brazil Has Come as a Democracy

After Dilma Rousseff was ousted as president in August 2016, Brazil’s pro-impeachment camp confidently ...

Excuse us for the mess. We're changing the country.

Mapping Brazil’s Political Polarization Online

People increasingly use social media platforms like Facebook and Twitter as their primary source ...

President-elect Jair Bolsonaro (PSL) attends worship at Atitude Baptist Church alongside his wife, Michelle Bolsonaro, in Rio de Janeiro

Bolsonaro Is the President. What’s Next? All Might Change on His Whim

The controversial right-wing populist Jair Bolsonaro has been elected Brazil’s new president with 55% ...

Brazil's presidential candidates: Jair Bolsonaro, Marina Silva, Geraldo Alckmin, Ciro Gomes, Fernando Haddad

Who Will Compete With Bolsonaro to Become Brazil’s Next President?

With Jair Bolsonaro certain to reach the second round of Brazil’s elections in October ...

Presidential debate on Brazilian TV

Brazil: Any New President Will Inevitably Disappoint a Polarized Population

This year’s Brazilian election is entering a decisive phase. With official television advertising beginning ...

Rio's samba school Unidos da Tijuca - Tomaz Silva/ABr

Rio’s Carnaval Celebrates Life and Blasts New President

Rio de Janeiro’s world-famous Carnaval celebrations officially began on Friday in the first festival ...